Phylactery of the shepherd1/7/2024 ![]() From that point on, it was Redcloak working for Xykon and not the other way round, because he knew he did not have the strength to work against Xykon. It was Redcloak's decision to effect their escape by turning Xykon into a lich, vastly increasing his powers. Redcloak was imprisoned along with Xykon when the latter was defeated by Lirian in his attack on Lirian's Gate, one of five that could be opened to unleash the Snarl. Seeing this, Redcloak named himself Redcloak, and his brother Right-Eye, rather than use their real names. Redcloak needed the cooperation of an arcane caster, and recruited Xykon the lizardfolk were also interested in the sorcerer, but Xykon slew their chief because his name was too long to remember. The mantle also extended his lifespan and seemingly protects him from diseases. Redcloak was visited by the spirit of his mentor, who told him to take up the Mantle when he put it on, Redcloak was able to communicate with the Dark One, and understood his Plan to improve the lot of the goblins by unleashing the Snarl and blackmailing the other gods. Redcloak's mother and most of his family were killed only he and his younger brother escaped. ![]() The goblin who would later take the name of Redcloak had only just started out as an acolyte of the previous bearer of the Crimson Mantle when his home was destroyed by the Sapphire Guard of Azure City, who believe the Crimson Mantle is a threat to "the very foundation of creation itself". Standard cleric spell list and domain spells, plus, Unseal, Greater Obscure Object, Superior Resistance, Hardening Goblin racial abilities, Rebuke Undead, Command Undead, Destruction Domain, Law Domain, Evil Domain? Unnamed Mother†, Uncle†, Elder Brother†, and Sister† ĭiplomacy, Knowledge: Chemistry, Knowledge: Nature, Speak Language: Goblin, Spellcraft, does not speak Draconic Libraries, Archives, and Museums, and Copyright Watch.įor more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.The Bearer of the Crimson Mantle (former) The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.įor further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. If you need a high resolution file, please fill out our online application form (charges apply). Please include caption information from this page and credit the Brooklyn Museum. You may download and use Brooklyn Museum images of this work. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. This work may be in the public domain in the United States.
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